Ashwath Narayanan was initiated into Carnatic music by his parents at the tender age of 4 with tremendous encouragement from his family replete with music critics and connoisseurs. He began formally training in the basics under his first Guru, Smt Jayalakshmi Sundararajan. Subsequently, Carnatic maestro K V Narayanaswamy recognised the immense potential in this raw talent and Ashwath came under his direct tutelage for an intensive learning period of four years. After the titan’s demise in 2002, his wife, Smt. Padma Narayanaswamy, a gifted musician in her own right, shouldered the mantle of honing this young talent. Her nurturing mentorship led Ashwath to secure many accolades including the Youth Excellence Award, Kalki Krishnamurthy Memorial Award, Shree Shanmukhananda M S Subbulakshmi Fellowship, the Music Academy’s outstanding vocalist awards and many more. Ashwath Narayanan promises to be a musician to look out for in the years to come.

Born in the year 1942, Trichy Sankaran had his early musical training under his cousin Sri P.A. Venkataraman. He started at the age of 5, and became seriously involved with the art of drumming at the age of 7. When his first teacher Sri P.A.V. moved to Delhi from Trichy (Trichinappalli) to take up a job initially as a music instructor, and later to become the staff artist of All India Radio Delhi, Sankaran followed him for his musical studies. While in Delhi, Sankaran met Pandit Ravi Shankar for the first time, and played a solo in misra chapu tala for him at the age of 10 (year 1952). It was the same year that Sankaran won the gold medal from the Shankar’s Weekly Children’s Theatre Competition. Again, in the same year, he made his first public appearance (debut) performing with musicians in Harikathakalakshepam (religious discourse -narration with musical accompaniment).

Then Sankaran came under the direct tutelage of the legendary mrdangam maestro the late Sri Palani Subramania Pillai. Sankaran made his formal arangetram (musical debut) at the age of 13, in the year 1955, performing in tandem with Sri Palani Subramania Pillai in the concert of Sri Alathoor Brothers, and Sri Lalgudi G. Jayaraman. This concert took place in Sankaran’s home town Trichy at the famous Nanrudaian Pillayar Kovil (Ganesh temple). Sri Palani Subramania Pillai gave Sankaran unique opportunities to perform duos with him to many top rank Karnatak musicians of that time, that included artists such as Ariyakkudi Ramanuja Iyengar, Chembai Vaidhyanatha Bhagavatar, Semmangudi Srinivasa Iyer, Madurai Mani Iyer, G.N. Balasubramaniam, Alathoor Brothers, Mudikondan Venkatarama Iyer, Flute T.N. Swaminatha Pillai, and others.

Born into a family of musicians with rich lineage and steeped in pedigree music, Vadakkencheri Srikrishna Murari popularly VVS Murari represents the fourth generation of music practitioners in his family. Maestro VVS Murari has been groomed under the guidance of his father and guru the legend ‘Nadayogi’ VV Subrahmanyam and later from the doyen of Carnatic music ‘Padma Vibhushan’ Semmangudi Srinivasa Iyer. Murari was initiated into classical carnatic music by his paternal grand father and musician Vadakkencheri Veeraraghava Iyer, and also mentored by his mother Janaki VVS who hails from a family of great connoisseurs of music and arts in Kozhikode. Murari’s maternal grandfather Shankaranarayanan Iyer was a noted teacher and a passionate flautist from Kozhikode, Kerala.

Murari today not only bears the torch of the VVS tradition but has also evolved as a sensitive and emotive musician, giving a distinct style of his own. In his voyage as a cultural ambassador of India’s rich heritage, Murari has performed extensively in India and abroad in the most prestigious fora, drawing critical acclaim wherever he has performed. he has won several accolades from many reputed institutions.

Not only an acclaimed musician, Murari is also an art entrepreneur, donning the hats of founder director for VVS Foundation, India,Executive Director, VVS Foundation, USA and Founder, Chief Operating Officer of SaMaa Arts LLC, USA, Founding Member & Joint Secretary of Global Carnatic Musicians Association. Through these organizations he has been doing great service to art industry by encouraging and featuring young musicians of Carnatic music in various platforms worldwide. He has also been the catalyst in taking raw talents, mentoring them, and also putting them on world map by touring them across the United States and Canada. He has also been involved in several unique projects combining classical Indian music and western classical to jazz music thus bringing the world together.

Murari have been associating himself with many charity and giving back to community projects. In line with many of his unique projects, “Dakshinotsavam” (implying the festival of the south) was a project he came up with in December 2020 to identify and feature lesser-known musicians affected by the Covid pandemic resulting in a financial lurch. Murari took upon himself to do his small bit to reach out to 150 fellow Carnatic musicians of the southern states of Kerala, Tamilnadu, Andhra Pradesh and Karnataka, in India who do not have much access to technology to showcase their talents and those whose only source of income was music. He personally contributed generously and also collected huge sum of money and distributed to all the 150 musicians. Similarly, in early 2022 Murari curated a special one of a kind open air festival “Chalakudy Mahotsavam” at Chalakudy, Kerala to feature various traditional art forms of Kerala involving over 140 musicians and helped them weather the continued economic crisis due to Pandemic.Both Dakshinotsavam and Chalakudy Mahotsavam had a wide reach.

Khanjira artist Anirudh Athreya has a great music Lineage. His great-grandfathers Sangita Kalanidhi-s ‘Papa’ K.S. Venkatramaiah and Alathur Sivasubramania Iyer were icons in the twentieth century. His maternal grandfather, V. Thyagarajan was a reputed violinist, and grand-uncle V. Nagarajan was a veteran khanjira vidwan. Nagarajan initiated Anirudh into the khanjira when he was but nine years old and was his guru for five years, later Anirudh came under the guidance of Sangita Kalanidhi T.K. Murthy. Since becoming Murthy’s disciple, Anirudh has not looked back. Within a year he was playing alongside the veteran who went to great lengths to encourage him. He is now a regular accompanist to accomplished artists like Bombay Jayashri, T.M. Krishna and Vijay Siva, among others. He considers it a privilege to have also participated in the concerts of the likes of R.K. Srikantan, T.V. Sankaranarayanan, Vairamangalam Lakshminarayanan, P.S. Narayanaswami, O.S. Thyagarajan, and N. Ravikiran. The senior mridanga artists he has teamed up with are his guru T.K. Murthy and Trichy Sankaran, Guruvayur Dorai, Srimushnam Raja Rao, Tiruvarur Bhakthavatsalam and Mannargudi Easwaran. He has toured many cities in India, and played abroad in the Netherlands, Spain, Austria, Singapore, the U.S.A. and Canada.