Sanjay Subrahmanyan, born into a family deeply rooted in Carnatic music on January 21, 1968, in Chennai, breathed in the melodies of the genre from the very air around him. Growing up amidst the resonating strains of Carnatic music legends emanating from radios, tape recorders, and gramophones, Sanjay’s passion for the art form ignited at a tender age. Under the tutelage of esteemed gurus such as V. Lakshminarayana, Rukmini Rajagopalan, Calcutta K.S. Krishnamurthi, and later, S.R.D. Vaidyanathan, he honed his skills in both violin and vocal disciplines, setting the stage for his remarkable journey ahead.

Today, Sanjay Subrahmanyan stands as a beacon of inspiration for a new generation of musicians, scaling unprecedented heights in his musicianship. His performances epitomize a rare fusion of mastery and intellectual depth, blending the authoritative essence of tradition with the innovative spirit of a prodigious artist. Like the legendary musicians of yore, his concerts exude an aura of liberation, drawing audiences into realms of ecstatic musical transcendence. This captivating allure has cultivated an unparalleled following, establishing Sanjay as an unparalleled phenomenon in the realm of Carnatic music.

Sanjay’s repertoire is a testament to his ceaseless quest for musical exploration, characterized by a harmonious blend of unconventional ragas alongside timeless classics like Todi and Sankarabharanam, each rendition imbued with fresh interpretations. His affection for his mother tongue shines through in his renditions of lesser-known Tamil compositions, a cherished highlight eagerly anticipated by audiences.

In 2015, Sanjay Subrahmanyan’s illustrious journey reached a pinnacle when he was bestowed with the prestigious title of Sangita Kalanidhi by the Madras Music Academy, a natural culmination of his unwavering dedication and artistic brilliance.

Today, as he continues to mesmerize audiences with his classical performances, Sanjay embarks on new musical odysseys, exploring diverse avenues such as his recent foray into film music and collaboration with Coke Studio, Tamil. Additionally, his latest album “Anbenum Peruveli” with Sean Roldan showcases his innovative spirit and willingness to embrace new musical horizons.

In every endeavor, he remains a testament to the timeless harmony of tradition and innovation, enriching the world of music with his unparalleled artistry and boundless creativity.

He initially learnt violin under Kanchi Janardhanam. He later learnt from the multi-faceted genius T.V. Gopalakrishnan. At a very young age Varadarajan has accompanied many leading artists of Carnatic music and has established himself as a front ranking musician. His style of play is characterized by excellent control over the instrument with brilliant repartees that inspire the main artiste. He has been conferred with several titles and awards and has for more than 20 years, given solo concerts and traveled the world on several concert tours as an accompanying artist.

Neyveli B Venkatesh is a Chennai-based mridangam player. His rhythm training began under his father AS Balaramanan, and continued under PP Venkatesan and MN Kandaswamy Pillai. His promising career has already featured top accompaniment slots and numerous collaborations, and he is renowned for superb solo performances.

Neyveli Venkatesh has been a prominent presence at Darbar Festival, performing in 2007, 2008, and 2010. Showcasing his mastery of the mridangam, he has accompanied esteemed artists such as Mysore A Chandan, Jyotsna Srikanth, and Sanjay Subrahmanyan. His intricate rhythms and deep understanding of Carnatic percussion have enriched each performance, leaving audiences captivated by his dynamic and expressive playing.